Snap Trap, Palazzo Merulana, 2021
Curated by Miriam Rejas Del Pino
Snap Trap, Palazzo Merulana, 2021
Curated by Miriam Rejas Del Pino
Barbara De Vivi (Venice, IT, 1992) carries out her studies at the Academy of Fine Arts of Venice, where in 2018 she obtained her second-level diploma. She participates in the Erasmus+ project by studying at the Universidad Complutense de Madrid (ES). In 2017 she participates in the residency Fondazione Bevilacqua La Masa (Venice) and won the Combat Prize. In 2018 she obtained the Euromobil Under 30 Prize. In 2021 her work is selected by Chus Martinez to be part of the Fondazione Cassa di Risparmio di Cuneo Collection.
After a one-year experience in Newcastle upon Tyne (UK) she recently moved to Hamburg (DE). She is currently in residency at Pilotenkueche, Leipzig (DE).
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Solo and double solo shows
2022
Artificial Arcadia, Photo Open Up, Padua; curated by Alessandra Maccari
2021
SNAP TRAP, Palazzo Merulana, Rome; curated by Miriam Rejas Del Pino and Cerasi Foundation
2020
Il Crepaccio IG Show, curated by Caroline Corbetta
2019
Immaginifico, Spazio Siracusa, Agrigento, curated by Francesco Siracusa
La Scintilla Latente, Ca’ dei Ricchi, Treviso, curated by Carlo Sala and Treviso Ricerca Arte
Altipiani, Barbara De Vivi|Karin Welponer, Bolzano, curated by Roberto Farneti and Stefano Riba
Awards and residencies
2023
Pilotenkueche International Residency Program, Leipzig (DE)
Ongoing project
2020
Shortlisted for Premio Francesco Fabbri, IX edition, Contemporary photography section, Villa Brandolini, Pieve di Soligo (IT); curated by Carlo Sala
Art residency Inventario Varoli, della copia e dell’ombra, civic Museum Luigi Varoli, Cotignola (IT); curated by Massimiliano Fabbri
2019
Shortlisted for Premio Francesco Fabbri, VIII edition, Contemporary art section, Villa Brandolini, Pieve di Soligo (IT); curated by Carlo Sala
Shortlisted for Make the difference with art, Torre delle grazie, Bassano del Grappa (IT); curated by Rotary Club Asolo
2018
Premio Euromobil Under 30, Arte Fiera, Bologna (IT); curated by Angela Vettese
Art residency Dolomiti Contemporanee, Borca di Cadore (IT), project curated by Gianluca D’Incà Levis
2017
Combat Prize, painting section, Museo Fattori, Livorno (IT); curated by Paolo Batoni (First prize)
Art residency Fondazione Bevilacqua La Masa, Venice (IT); given by Bevilacqua La Masa Foundation and Municipality of Venice
Main group shows
2023
Ambivalove, Alte Handelschule, Leipzig; mid-term exhibition of Pilotenkueche International Residency Program
2022
Salon Palermo 2, Rizzuto Gallery, Palermo; curated by Antonio Grulli and Francesco De Grandi
2021
Zona Bianca Zero, Woolbridge Gallery, Biella; curated by Giorgio Verzotti
Pittura in persona, complesso monumentale di S. Francesco, Cuneo; curated by Carolyn Christov-Bakargiev and Marcella Beccaria (Museo Castello di Rivoli and CRC Foundation). Work selected by Chus Martinez.
Les danses nocturnes, Entrevaux, France; curated by Eastcontemporary
Regarding Venice, Galleria Poggiali, Milano
Danae Revisited, Fondazione Francesco Fabbri, Pieve di Soligo (TV); curated by Carlo Sala
2020
Whatever it takes, A plus A Gallery, Venezia, curated by Curatorial studies Venice
2019
Margine, studio Margine, Pordenone, curated by Raffaele Santillo and Daniele Capra
Il Disegno Politico Italiano, A Plus A Gallery, Venezia, curated by Aurora Fonda
2018
Selvatico 13 Fantasia|Fantasma, Palazzo Pezzi, civic museum Luigi Varoli, Cotignola; curated by Massimiliano Fabbri
Brain Tooling, Forte di Monte Ricco, Pieve di Cadore; curated by Gianluca D’Incá Levis, Petra Cason and Riccardo Caldura
La passione e la visione, mostra di fine residenza Bevilacqua La Masa, galleria BLM San Marco, Venice; curated by Stefano Coletto
10 Little Indians 2018: The way things look, MLAC, Roma; curated by Silvia Giambrone and Fabrizio Pizzuto
Mottenwelt, Galleria Marcolini, Forlí; curated by Roberto Farneti
2017
101-esima collettiva, Galleria BLM S. Marco, Venice; curated by Stefano Coletto
Combat Prize, Museo G. Fattori, Livorno; curated by Paolo Batoni
2016
Avviso di garanzia, Fuori Uso project, ex Tribunale, Pescara; curated by Giacinto di Pierantonio and Simone Ciglia
Collaborations
2021
High Bridge Works (works in a studio for one year), Newcastle upon Tyne (UK)
The Art Room, by Samsung Italia, curated by Caroline Corbetta
2020
Breeze Creatives (works in a studio at Experimental studios for four months), Newcastle upon Tyne (UK)
2018
Arte Fiera, Galleria Marcolini, Bologna
Art Verona, Galleria Marcolini, Verona
2015
Biennale of Venice, paintings and performances for Utter/The violent necessity for the embodied presence of hope by JASA, Slovenian Pavillon; curated by Michele Drascek and Aurora Fonda
2012
Punta della Dogana, realization of the painted mock-up and set up of Turkish Forest by Mark Grotjahn for Prima Materia, Venice, curated by Caroline Bourgeois
2011-2019
Laboratorio aperto, summer workshop, Forte Marghera, Venice, given by prof. Carlo Di Raco, Academy of Fine Arts of Venice